The easel and palette having been packed up, and the canvass carefully removed by Austin, the party took leave of the prisoner, who was so much abstracted that he scarcely noticed their departure. It was an intimate smell, the unmistakable scent of him and another woman. That's a queer yarn. Then she spoke, with a carelessness he instantly suspected. She had never been to the opera before except as one of a congested mass of people in the cheaper seats, and with backs and heads and women’s hats for the frame of the spectacle; there was by contrast a fine large sense of space and ease in her present position. Wood's present position, and subsequent proceedings fully intelligible, it may be necessary to give some notion of the shape and structure of the platform on which he had taken refuge. ‘But do you think I can blame you for this, Marthe?’ ‘I blame myself. .
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