Daily contact with actual human beings all the more inclined her toward the imaginative. The London backgrounds, in Bloomsbury and Marylebone, against which these people went to and fro, took on, by reason of their gray facades, their implacably respectable windows and window-blinds, their reiterated unmeaning iron railings, a stronger and stronger suggestion of the flavor of her father at his most obdurate phase, and of all that she felt herself fighting against. Anna was singing as she used to sing. Nothing is wrong that you do. “He is not—I don’t like him. My dress, my person will be minutely described.
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