When first brought under consideration, she was a miserable and forlorn object; squalid in attire, haggard in looks, and emaciated in frame. Conscientious objectors to that process are not permitted, she found, in Canongate. Ruth, having decided a course for herself—that of renunciation—and having the strength to keep it, met these advances in precisely the mood they were offered. “Have you any money?” “Lots,” Anna answered laconically. And when I ask you why it is you do so, you have no answer. To recreate the era, I deliberately tried to avoid creating a thinly disguised bodice ripper where an “empowered” woman mouthed off to prospective suitors in jerkins and tights, in other words, a typical romance novel.
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